Pavel Pavlenko Biography
Born September 20. He died on March 9th. Pavel Pavlenko was born in Kyiv. Left early without his mother, he was brought up by his father Pavel Ivanovich Pavlenko -? In the year, Pavel entered his study at the XI Moscow gymnasium, reorganized in the south of the Soviet labor school in the year, graduated from it in the year and began his career as a screenwriter in the Moscow Ukrainian Studio Theater.
Here, Pavlenko made his debut on stage, playing his first roles, among which: the free "Natalka-Poltavka" by I. Kotlyarevsky, Senih-Aga "Zaporozhets behind the Danube" by S. Karpenko-Kara and others. Then, from the summer of the year to the fall of the year, Pavel worked in the Free Podiva troupe in the year Pavel Pavlenko entered the acting department of the Moscow State Theater College, where he studied up to a year and at the same time, from September, he worked at the Moscow theater for children.
In October, Pavlenko moved to a professional workshop that was newly organized in Moscow with the management of academic theaters, and in the year he went to work in the Kharkov Krasnozavodsk Theater for two seasons. In October, Pavel Pavlovich returned to Moscow and joined the troupe of the Revolution Theater, where he remained up to a year. Here the actor was played by the Veselchak “First Horse” by V.
Vishnevsky, Vlasenko “Y” B. Barkov, the judge “History of one murder” by M. Levidov, Raputkin “Man with a portfolio” by A. Fiko and other roles. The next six years, the creative fate of Pavel Pavlenko was associated with the name of Yuri Zavadsky. At first he was an actor of his theater-studio, and then in-gg. Gorky in Rostov-on-Don. During this period, Pavlenko was played: Christy “Devil's student” by B.
Show, Briden “Love” by A. Vernil, Pikalov “Love Yarovaya” K. Trenev, Levshin “Enemies” by M. Gorky and other roles. Here Pavlenko first tried his strength as a director, setting the play “How Steel was tempered” according to N. Returning from Rostov, Pavel Pavlovich became the actor of the Central Theater of Transport, where he worked for up to a year and played many noticeable roles: Rasplyuev “Wedding of Kretschinsky” A.
Romashov, Shmagu “Guilty” by A. Ostrovsky, “Son of the nations”. Yu. German, Mamontov "On the eve" based on the novel by I. Turgenev and others. Among his later works: Ponte “Storm” by V. Latsis, Diego “Spanish priest” by D. Fletcher, Tacacon “Living Portrait” by A. Hugo, Ilya Sokhami River according to the novel by V. Solovyov and others. From the first performances on stage, Pavel Pavlenko declared himself as an interesting characteristic actor who played brightly, with great humor.
Over time, his skill became even more perfect, which he clearly demonstrated during the periods of work with Zavadsky and in the theater of transport. Pavlenko did not actually play the main roles, remaining an unsurpassed master of the episode and second -plan roles. At the same time, the actor was never lost behind the backs of the main characters, turning his small roles into real masterpieces.
In the movie, the actor came already with a mature master and immediately took his niche there, playing the roles of all kinds of old men - from modest and shy to cheerful and fervent. A meeting for Pavlenko was a meeting with director Alexander Rowe, in the tales of which he played his best roles in the cinema-the most important ceremonial master in the “Kingdom of Crown Mirrors”, the old father in “Morozko” and the water king in “Fire, Water and ...
Copper pipes”. He was remembered for members of the film crews of these paintings as a cheerful, witty person who was not lost in large companies, always finding kind words to his colleagues.
Pavel Pavlenko was married to Anna Stepanovna Potapenko -? The spouses did not have children. After a year, the actor no longer starred, and how he lived his last years, unfortunately, is unknown. It is unfortunate that no one asked this during his lifetime. He lived to a solid age and died, forgotten, one, in an empty apartment. Pavlenko’s burial place for today was not found.
Films and roles: “Zoya” German officer; "Glinka" F. Bulgarin; “Glinka composer” F. When copying materials from the site, a link to the source is required.