Biography of the composer churlenis

Its symbolic musical conceptualism embodied in the cycles of the Sonat-Cartin and Preludes and the fug still remains the phenomenal of art. The works for the piano are the largest and most rich heritage of Cheurlenis. From the early age of years, starting from the first sonata, composed during his studies and ending with his prelude and Fugu, See Bemol Minor, written by his last summer, M.

Cheurlenis made many important discoveries. The romantic spirit and archetypal national way of listening to the world were the initial space from which the composer developed condensed, expressive-pro-transparent, neoclassical and symbolic design tendencies to new music. Since this was understood in his Lithuanian and Polish environment at the beginning of the twentieth century.

He worked very intensively composing the treasures of mature works including several dozen real piano masterpieces. Several significant biographical facts: in the year he received a diploma in the composition for the cantata De Profundis at the Warsaw Music Institute or the Conservatory, where he studied with Professor Z. Noskovski Z. with the years of Churlönis developed his compositional abilities at the Leipzig Leipzig Conservatory under the leadership of outstanding German teachers - the composition and orchestration at prof.

Karl Reineke Carl Reinecke, counteratpoon at the expert prof. Salomon Jadason Salomon Jadassohn. In the summer, he received an official diploma in the year. After that, he studied painting, painted, exhibited his work in Warsaw, Vilnius, St. Petersburg, thus earning on bread with salt, teaching private music lessons. Among his works are important symphonic programs in the forest and sea and choral works.

For some time he led the Lithuanian choirs in Warsaw and Vilnius, performed at concerts as a conductor and pianist. He was one of the founders of the Lithuanian Society of Art, which initiated the musical department and the first competition for Lithuanian composers. He had an ambition and he began to compose Lithuanian opera, he also drew sketches of her scenography. Cürlenis also wrote articles about Lithuanian folk singing, folklore, art and national culture.

In a short time, which was presented to him by fate, Cürlenis became one of the most striking constellations of the Lithuanian national movement.