Biography of ady Sheremetyeva

Sheremetyeva Gorokhova Ada Nikolaevna was born on July 21. Actress of Ada Sheremetyeva, like a bright comet, flashed through the Soviet screens of the sixties and disappeared from sight. Many tried to understand where she disappeared, why she was not acting, how her further fate was. And the actress after several difficult years of marriage with clown Leonid Engibarov tried to regain herself, return to the acting profession, but all her attempts were unsuccessful.

Today she does not give an interview, does not try to attract the attention of the media, although, of course, she could do this.

He does not like to remember his acting past. He believes that everything played by her on the screen was insignificant and uninteresting. In a conversation with me, Ada Nikolaevna agreed to interrupt many years of silence and tell a little about her life. The future actress was born in Kyiv in a family of doctors. Her mother Eleanor Ippolitovna practiced as a pediatrician and therapist.

Father Nikolai Ivanovich is a military surgeon, a colonel who went through the Great Patriotic War, who later worked in Korea. It would seem that the fate of her parents was prepared for hell, but when at the end of the school the time had come to choose a profession, my mother asked her daughter to choose a different path in life. And the girl chose a technical specialty, entering the Kyiv Polytechnic Institute for the Electrotechnical Faculty.

However, already in the middle of the training, Ada realized that she was mistaken. She was rapidly attracted by the creative element, but she did not interrupt the path already made in her studies because of this. After receiving a diploma and referring to work, Ada still decided to try to enter the artist. For this purpose, she came to Moscow and successfully went to listen to the Schukin Theater School, falling on the third round right away.

But when it turned out that she had a referral to work in her hands, Boris Evgenievich Zakhava, the head of the school, referring to the jurisdiction of the case, refused her reception. Without desperate and obeying her friends who advised me to start all over again, Sheremetyeva left for Leningrad and entered the acting faculty of LGITMIK, while silent about the documents available to her.

And only after the year she confessed to deception, which, fortunately, had no serious consequences for a student. With the help of a lawyer, ADA managed to settle this issue, as a result of which the country did not count the specialist in automation and telemechanics. Already in the third year of the Institute of Ada Sheremetyeva, she was invited to the Leningrad Theater named after Komissarzhevskaya to replace the performer of the lead role in the play “Far from Moscow”, and after graduating from LGITMI, the year was credited to his troupe.

Soon after, the invitation to the cinema also followed. At the same time, she starred in two paintings at once, which became noticeable phenomena in the Soviet cinema of the early sixties. This is a small role of Mikey, a member of the crew of the sea tugboat, in the film of George Danelia “The Way to the Pier” and one of the main roles-architect Irina Ilyina-in Konstantin Voinov’s film “Young-Greeter”.

In these and followed after work in the paintings “Peaceful Time” and “Trace in the Ocean”, she presented a woman strong, outstanding, purposeful, with a rich inner world and at the same time feminine and elegant. But, despite the fact that these roles were the main ones, as if there was not enough integrity, completeness in them. Apparently, so they were spelled out dramatically, and the actress herself did not have the opportunity and sufficient screen time to make these images deeper.

The exception, in my opinion, can be called the role of Maria Kozhushnaya in the Ukrainian film “Buryans” by the director Anatoly Bukovsky, in which the actress managed to create an interesting dramatic image of a desperate Cossack, who fell in love with many communist David Motuzka I. by the middle of the sixties, everything seemed to be well in her arsenal in the theater of the theater in the theater.

and cinema. But at one fine moment the actress’s creative life was interrupted. And the fault of this was not a tragic story, but rather romantic. Ada Nikolaevna met Clown Leonid Engibarov, married him and moved to him in Moscow, leaving the scene and filming in the cinema. How much their happiness lasted is unknown. Ada Sheremetyeva herself categorically refuses to talk about this period, calling him the most difficult in his life.

Be that as it may, but after the departure of Engibarov, Ada Nikolaevna did not return to the acting profession. By her own admission, in Moscow she felt a stranger and could not get into any of the theaters, although she made such attempts. For example, the chief director of the Lenin Komsomol Theater Vladimir Bagrationovich Monakhov had already taken Sheremem for one of the roles in his play “On the Western Front without Changes”, but at that moment the competition was announced in the theater, and one of the actresses, fearing dismissal, wrote an anonymous letter to party bodies with a threat to commit suicide - and the competition closed the competition.As a result, Sheremetyeva not only did not get a role, but also left without work.

Subsequently, Ada Nikolaevna tried her strength in amateur performances, worked on the radio, recording poetic programs, and concerts from the Muscontus. But all this did not bring her the necessary creative satisfaction. Sometimes Sheremetyev was invited to act in films. For example, in the early eighties, she was approved for the role of Anna Ilyinichna Elizarova-Ulyanova in the Soviet-Italian picture of Sergei Bondarchuk “Red Bells”.

But, unfortunately, this role did not take place in view of the fact that it was completely cut out of the final version of the film. In recent years, Ada Nikolaevna has been leisure to study foreign languages. Arriving in one or another country with her husband, singer and poet Anatoly Sergeevich Gorokhov, she prefers to speak the native language of its inhabitants. Today's contemporary art is little interested in the actress.

She believes that he fills him with a lot of all, not worthy of attention, nonsense. And he prefers not to go to the theater of Ada Sheremetyev, since he brings her sad thoughts about his own failed career as an actress. When copying materials from the site, the link to the source is required.