Parts biography

Biography Biography, part one Evgeny Fedorovich Svetlanov was born in Moscow on September 6 in the musical family of artists of the Bolshoi Theater. Evgeny Svetlanov already in childhood responded to the call of the theater and performed with his mother on the first lyrical stage of the Soviet Union as the son of Chio-Chio-San. Just in memory of this performance, he conducted the last time in Montpellier Buchchini’s opera a month before his death - and so everything returns to his own circles.

Graduate of the school. Gnesin of the year and the Moscow Conservatory of the year, Evgeny Svetlanov studied with professors Mikhail Gnesin and Yuri Shaporin, whose oratorio and cantata will subsequently perform and record; His teacher in the piano class was Henry Neigauz himself; In the class of conducting, he studied with Alexander Gauk, the founder of the State Symphony Orchestra of the USSR in the year and the founder of modern interpretation.

Two years later, he returns to a large as an assistant by the conductor, and in the year he becomes the first conductor of the theater.

In the year, after the new production of Pskovites, he is awarded the title of honorary conductor of the Bolshoi Theater. It was in the Bolshoi Theater that he first properly properly operas of Tchaikovsky, Rimsky-Korsakov, Borodin and Mussorgsky, as well as a large number of ballets, which allowed him to improve his technique and knowledge of Russian musical literature.

In the year, he headed the troupe of the Bolshoi Theater during the first tour in La Rock in Italy, who passed with phenomenal success. The next year was marked for Svetlanov by the adoption of the USSR State Symphony Orchestra under his leadership, a team familiar to him for ten years and the fate of which he performed for thirty -five seasons from the series of subscription concerts in Moscow and everywhere in the territory of the Union to triumphal foreign tour and countless records.

It was with this orchestra that the conductor decided to record the anthology of Russian music, covering the entire period of romanticism and post-romantism up to the modern era-a titanic plan that Svetlanov has methodically realized within twenty-five years. In parallel with this, he discovered Russia and the West many little -known works. His foreign repertoire was surprisingly diverse - German from Mozart to Schounberg, with a clear preference to Maler, French Debussy, Rael, Duke ..., as well as English, Scandinavian, Czech.

And he rightfully called himself the "man of the universe." Share the post "Biography, part one."