Nәbirә Goyamatdinova biography

The medicine of the word on March 30, so that the word, like a grain thrown into the ground, has a book and hit the table to the reader, it must go a long way. First of all, it imperceptibly excites the writer's memory, taking peace and sleep, forcing him to be tormented by an obsessive idea. And one day, the word, like a leaflet that pushed from the burst of sunny warmth of sunny heat, goes outside and has been in full voice about its rights to exist.

A person, fully armed, with a pen at the opposite, becomes such a moment, becomes, without realizing it, a captive of creativity. Gimatdinov’s recruits “fell ill” with a word. And it seems to me that now is not the time to look back at the path traveled, on the contrary, having gained creative forces, it is necessary to storm more and more new peaks. Therefore, she, for more than thirty years spilling creative sweat in the literary field, needs to make, like a marathon runner, a couple of sips of the life-giving sherbet of glory, deeply, with all its chest, inhale and continue running in a distance.

And the bowl with this drink is in the hands of society. Collectors on Peru have already come to the conclusion that it was time to appreciate the merits of this fragile woman, along with the male writers leading the struggle for a place under the literary sun. Those who heard this good news of the books sighed in relief: finally, it is high time! Meanwhile, lovers of the book have long cast their votes in favor of their beloved author.

Books of Nabira Gimatdinova seven times became winners held by the Ministry of Culture together with the National Library of the annual competition "Book of the Year". The first victory was brought in the year the story “The Sorceress” of the “Idoerche”. Later, this pleasant fate fell to the “savage” “Kyrgyry” in M, “Savili” in M, “Lonely” “Parly Yalgiz” in m, “One drop of love” “Ber Tychi Yarata” in M, “There is a sin in the city of Librarians” unanimously say that the Books of Nabyra Himatdinova are literally switched from hands, bypassing total The expectations of the next reader on the book shelves.

And the number of people who comes to meetings with the beloved writer of the people better than any surveys confirms the favorable attitude of readers. The incredible power of the attractiveness of the books of Nabira Gimatdinova, their ability to conquer reader love, will not hide, forces many colleagues in Peru. Although it seems that there are no secrets here. It is enough for the author to understand the psychology of the hero described and be able to wrap the routine life of the character with a translucent veil of “poetic deception”.

But this “deception” should be convincing for the reader, he must excite him and force him to empathize. Gimatdinova’s recruit managed to show such magic already in one of her early works - the story “Sorceress”. Oh, and hot disputes every now and then arose around the “sorceress”. It seemed that they would take away from the writer all her miraculous forces. But Niba Khanum managed to defend and maintain its status "Master of Magic and Magic." Moreover, she clearly proved: when you know life, you clearly imagine all the spiritual experiences of the heroes, you can turn a simple, unpretentious life situation, an insignificant event into an interesting, exciting narrative.

But only twenty years ago, it was considered complete nonsense, fiction, fantasy “Secrets” now for whole days, and sometimes nights are drilling on many television channels. One is smarter than the other scientists are seriously engaged in the interpretation of inexplicable, unprecedented events. And the Nibab-Khanum of the first of the Tatar writers tried to open the veil into this exciting world.

Well, she herself did not notice how she was carried away and went only on one branch of the writer's work. But this time it would be more correct to talk about the works put forward for a high state award. There are several more good reasons to dwell on the candidacy of Nabira Gimatdinova. For example, due to the fact that performances were staged according to the three works of the author, the ranks of readers have grown theatrical viewers, and this, you see, is a considerable number.

The performance “Wolf Blood” “Bure Kana” set by the troupe of the Nizhnekamsk Theater named after the Tufan Minnullin, according to the same novel by Gimatdinova, took part in the theater festival of the Turkic peoples “Nauruz” in Kazan. And in the year he went to the Turkish city of Konya to the festival "Thousand breaths, a voice - one." This is exciting, which makes you think about the action played on various scenes more than 60 times.

And for some reason it seems that a long life has been prepared. The theater critic from Azerbaijan Sevda Babaev, director of the Kyrgyz National Theater Zamirbek Soronbaev, looking at the Wolf Blood, became interested in the work of Nabira Gimatdinova and asked to send her books from Kazan. Another work of Nabira Gimatdinova, who have gained even greater popularity thanks to the production of the team of the Drama and comedy theater named after Tinchurin, was the story “One drop of love”.And the play “Butterfly in the Snow” based on the novel “Sorceress” was also prepared for a long theatrical life.

And this means that Niba Khanum has long been worthy to stand on a par with the most prominent writers who have made a great contribution to the development and strengthening of the national spirit of the Tatar people! But her work is in full swing, and not at the end. On the book shelf in her home archive there are already 18 books. Preparing for the edition of the nineteenth.

The magazines "Idel" and "Kazan Utlars" conveyed to their readers her new novels. And the 5-episode television film “Don’t leave! In order to attract the most sophisticated readers to his works in order to comply with their requests, the writer must also have deep and comprehensive knowledge. Nibab-Khanum, preparing for annual meetings with schoolchildren of the republic, studies works on philosophy, religion, psychology, reads the new products of Tatar and Russian literature.

She is well versed in foreign literature. Despite the fact that she carefully studies the work of her predecessors, the Nibab-Khanum did not get dependent on them, does not imitate anyone, does not create idols. She shows respect for the great differently. For example, she collected an album dedicated to the memory of the famous fellow countryman Hassan Tufan. When they try to evaluate someone else's creativity, they usually give this creativity under some great shadow and make a comparative analysis.

And this reminds me of a painful “gutting” of a huge nesting doll: you open, take out one - half, take out the second and the recruits of Gimimatdinov! Well, tell me, couldn't the English reader perceive Nabir Gimatdinov correctly?! As I would take it! Yes, only who will translate into English or French, for example, the novel so highly appreciated by me “Do not leave! Let them transfer and let them read to those who will express a desire!

Let the inhabitants of Europe through the fate of the characters receive an idea of ​​what the Tatar people are, how they are tormented in in vain attempts to get rid of the claws of an invisible, but clearly sensed monster. Yes, like a love line that is currently blissful and sedately, then the Bro-shaped and uncontrollably, seemingly calm plot river from time to time “shake” the deep currents full of bitter suffering and pain.

Gimatdinov’s recruiting does not fall into the deep layers of history. She throws back the blanket of time at exactly so that only two more historical generations are exposed. Our generation grew with the belief that the history of the Tatar people began not from the seventeenth even a year, but after the war. But the pious heroes of the works of Nabira Gimatdinova: Shankala “Do not leave!

Reading books the people stretch to the works of Gimatdinova and in the search for lost piety, prudence, and nobility. Reading, he, without suspecting it, will worry, worry, look for ways of purification. Attempts to find in the works of Nabira Gimatdinova serene stories of happy love will turn into a uselessly spent time. Not all stories have a happy, and sometimes just fabulous conclusion, although there are such “you know how I miss you ...”, “There is a sin in love”.

Some end on a tragic note, “Do not look for me on earth ...”, “Do not leave! This, of course, is not a personal invention of Nabira Gimatdinova, I'm talking about taking the most daring words not in the mouth of sound or trying to be healthy characters, but crazy, blessed, strange. European literature does not resort to such tricks. But the care of our people who has absorbed into the blood of our people is still “working”.

On the “strange” people in the works of the Himatdinova dervish, a poet, a fool, Sashka, Petrovich have another very important mission. It would seem that in tragic times for the Tatar people, when even direct calls and slogans have no impact on the minds who will listen to the small tumble of crazy?! But all the power of literary works in this is concluded. Often, the thought embedded in the heroes of fables, fairy tales, legends, epics does not fall into an eyebrow, but in the eye.

We clearly understand and are aware of the reasons that brought us to such a deplorable, chronically painful state. We understand and realize! But in order to show who and how we bleed our villages, we need a fool Petrovich “One drop of love”, a crazy halil nicknamed “Radio” from the “anthill under the oak”, tirelessly screaming in public: “The Tatars died out! There are no more!

And it all began with the closure of the Tatar radio! And to combat such a general, all-devouring evil as drunkenness, anger, rage, determination of strong men-leaders, such as Hafiz "I have the right to you" are already needed. And in a different way it cannot be. Despite the fact that some heroes of the narratives of Gimatdinova’s nabii by the end of the work prove their ability to be obstinate and selfish, they are usually sophisticated, often vulnerable and defenseless people, representatives of creative professions.

Ballerina "Do not leave!Even such as Zastia “it’s hard for both of us”, capable of clicking a rifle on a trigger without long thoughts ... Perhaps that is why Gimatdinov’s recruits into his works of totems for the Tatar people of animals - a wolf, a fabulous white snake. But will they be able, only they, to save our rapidly mutating the world? Holen, mannered glamor, gazing at others, ready at any moment to move all kinds of oncoming-transverse black-faced cars, new-fangled silent pistols and machine guns that can imperceptibly remove objectionable people even in white day.

But in the arsenal of means of destroying a person as an individual, there are still ancient, as peace, fear, drunkenness, betrayal, greed, dullness, envy, adultery. To cleanse the earth from all this filth, we need the crushing power of the typhoon and the witchcraft of thousands of sorcerers. And this means that Nabir Gimatdinova needs to write, write and write again. Burn for Tatar readers, burn yourself, but write!